Image courtesy of Vladimir Pustovit. Licensed under CC BY 2.0.
The last few weeks have seen a pleasant, if repetitive, cycle of doing an unprecedented number of enjoyable, similar activities. Last week: team trivia on Tuesday, improv class on Wednesday, improv show on Thursday, improv volunteering on Friday, and a birthday party (for a friend I met through improv, because where else do I meet humans) on Saturday. I spend enough time at the bar attached to the theater that the waitress knows my name. I have, somewhat unexpectedly, become a Senior Volunteer Who Knows Things when a real employee is not around. It is very enjoyable.
It is also, for the most part, very boring to write about: I either am busy learning how to make things up for audiences, watching others make things up for audiences, or taking out the beer-filled trashcans of audiences who have recently watched someone make things up.
That said, this week’s birthday party was a completely delightful quasi-break from the routine. A friend turned 30, and her boyfriend rented out a local bar—a Cheers-style bar, a bar that emphatically Doesn’t Host Dancing—for an all-night dance extravaganza. No one was trying to look cool, at all, and so it was a glorious mash of drunk adult former theater kids ironic-dancing to early-90s Britney Spears with complete abandon.
Image courtesy of Vegan Feast Catering. Licensed under CC BY 2.0.
There are some moments where, when you find yourself in the middle of them, you think: “I am doing things correctly.” Saturday night, as I sat down at a barstool with a gin and tonic in one hand and a Krispy Kreme donut in the other, I had one of those moments.
When folks talk about college as the best years of their lives, I am suspicious, because I don’t know about y’all but my college years never once paired glazed donut and gin, so, point and match to adulthood.
The glazed donut and gin combo happened early in the evening of the end-of-season party for the theatre. The night continued to live up to its promise, because alcohol and dancing and people who have a vested professional interest in other humans paying attention to them for being funny is a recipe for a grand ol’ time, particularly when the DJ is playing “Everybody” and folks are making a Really Concerted Effort to creep on the “am I sexual?” lyric. Continue reading
Image courtesy of Carolyn E Brown. Licensed under CC BY SA 2.0.
Last week, as a pre-birthday gift to myself (today marking my official entrance into either my very early mid-twenties or very late early twenties), I attended the Atlanta stop of the Welcome to Nightvale tour.
Welcome to Nightvale for the most-of-you who don’t listen to it, is a twice-monthly podcast that is probably best described as Prairie Home Companion written by Lovecraft. It is narrated by Cecil Baldwin (voiced by Cecil Baldwin), who is both the cypher for the town’s own weirdness (there are angels that don’t exist, a dog park which is forbidden, and librarians who are scaly and to be feared) and himself the sort of person who would volunteer to be a public-access radio host.
It was a lovely hour of live theatre, with some charming folk music thrown in for good measure. This I had expected. What I hadn’t expected was the completely delightful people-watching options afforded by attending an event full of nerdy, nerdy 16-year-olds (said, as a former 16-year-old nerd who is now the sort of person at nearly-23 who attends live recordings of podcasts by herself, with all the love in my heart).