Image courtesy of Rachel Kramer. Licensed under CC BY 2.0.
Last weekend, I got a tattoo. It’s my second—the first is the VFD logo from the Series of Unfortunate Events, which half the world thinks is an Egyptian-inspired Playboy Bunny and has, in recent memory, basically only been correctly identified once, by a sorority sister’s tanked prom date, on a bus back from semi-forma–but the first of any notable size and color.
It took a week from me making the appointment to me being in the chair. In the meantime, I sent the poor man something like seven pictures of cedar waxwings, along with a random assortment of his other tattoos that I like with exciting comments like “I like these colors!” and “These are good lines?” and “I would like this pose unless that’s not possible in which case another pose is good.” For all that I was offended when my corporate personality test showed that I put relatively little consideration into my decisions, this experience does seem to have proved the thing right.
The experience itself was pleasant and relatively pain-free (thanks, insulating layer of arm fat!). I chose the artist because his portfolio book had a coworker’s tattoo in it. I like the tattoo and I like the coworker it’s on, so it seemed like a good omen. When I told this to the artist, he mentioned that he was actually responsible for a whole chunk of the tattoos on my coworkers (we’re a Very Hip Company). Chatting about mutual acquaintances filled up a not-small portion of the hour and a half that it took for the thing to be etched on my person, and helped pass the time. Continue reading